She is stunning, as if she’s from the early 19th century. The impressionistic whites, along with the two shades of blue and orange, complement her beautifully. Should I have framed her differently? I could have made a painting out of it, but then I would have taken her out of her context.
The blue and orange were already there. The person who placed this lady on top did so with great care. It all fits together perfectly. The rest of the wall remains almost untouched, which is unusual for Berlin. Normally, every inch of a wall is covered. Perhaps the lady commands a certain respect—with her kind yet confident expression, she seems to keep other posters and spray artists at bay. She prefers to keep things calm.